All posts by Sandy Chen

Fun Facts

Some fun facts about copyright popped up in my discussion with colleagues and friends today. It may be useful for you to know.

1. PROs in almost every other territory collect performance royalties from movie theaters, while the ones in the U.S don’t.

Yup. It’s pretty hard to believe. While movie business is lucrative in this country, maybe more so in recent years, it’s probably not so great for the composers. Out of every dollar collected from the box office in the entire country, as a composer, the PROs collect zero for you. Maybe it’s time to pursue another career…?

You would think that ASCAP, BMI & SESAC are the “better” ones compare to the ones out there in rest of the world and make sure everyone gets all their money. At the end of the day, the U.S. has one of the biggest music markets in the entire freaking world! Surprise, surprise. It’s not easy to make a living as a composer in this country, even when you are a successful one, if you rely solely on collecting royalties to put food on the table. Good news is , if the movie that uses your tracks got played in oversea territories, PROs in the U.S. WILL collect the money from foreign PROs and send it to you. Well, this process may take a while… To be precise, according to BMI, the money will be sent out 1-2 years after the performance occur. But money is money, right?

On the other hand, if you compose music for TV shows, or if the movies that use your tracks play on TV stations,  that usage IS under the jurisdiction of ASCAP, BMI & SESAC. So if you can get into that game, your life may be just a little bit easier.

 

2. Global content licensing?

Specifically, this is about Netflix. Ever wonder why you can’t watch Netflix when you go overseas? It’s because Netflix does not obtain the rights to provide streaming service for their content in every territory. Not yet.

However, Netflix is trying to reach global content licenses with the major production companies. In plain English, this means to pay a fixed license fee, obtain the right to play the content across the globe, and never worry about paying royalties. In this case, Netflix would have foreseeable and controllable costs. OK, from a corporate strategy point of view, it makes a lot of sense. In the wonderland of copyright? Not so much.

Because copyright law works on a territorial basis, it is hard to even think about the possibility of global content licensing. In some countries, the PROs are very involved in collecting money from every kind of public performance, so that they would simply not acknowledge the license and still demand royalties from Netflix. Well, that would destroy the whole purpose of global content licensing. In some countries, it may be even illegal.

In fact, we humans do not agree on a lot of things. There were disastrous wars caused by disagreement. It could be potentially dangerous. You just never know.

It seems like Netflix still have a long way to go before it reaches the 200 countries goal. It almost sounds like working for world peace.

 

 

 

What is Performing Right Royalties? (and what it means to you, if you create film music)  http://www.filmmusicmag.com/kb/questions/37/What+are+performing+rights+royalties%3F

ASCAP’s International Payment System http://www.ascap.com/members/payment/international.aspx

BMI International FAQs                     http://www.bmi.com/faq/category/international

Netflix’s Ted Sarandos Talks Global Licensing (and other stuff) http://www.latimes.com/entertainment/envelope/cotown/la-et-ct-netflixs-ted-sarandos-talks-global-licensing-sports-market-and-china-20150513-story.html#page=1

Netflix Wants the World http://variety.com/2015/digital/news/netflix-wants-the-world-can-it-really-expand-to-200-countries-in-2-years-1201411740/

Apple Music, Really?

I’m so tired of people saying that streaming music is a way for discovering new music. It really isn’t. I don’t know a single person use streaming to step out of her comfort zone and listen to some random artist all day. Not one. We always listen to what we know, what we have heard of, or at least something we are familiar with.

So when Trent Reznor, the guy who’s featured on the Apple Music film says, “…that place (Apple Music) can accommodate and support the artist who MAKE the music, not just the top tier artists, but the kids in their bedrooms too,” I went like, “oh really?” Then I was waiting for him to explain more, but the movie went immediately to the “cool” features that were essentially Spotify. I was let down.

Seriously, can we touch base on how you support the kids who make music in their bedrooms? Just saying that you will doesn’t mean anything. How? What’s your model? How you pay royalties? Where are your numbers? Why is it different or better than, let’s say, Spotify? Nothing. Saying nothing is not okay, dude.

And then it’s all of the same old story. We’ve been told a thousand times already. Apple Music does not give me any sense of transparency, not even a little bit. There is the user end, and there is the Apple end. The artists, stuck in the middle, are not getting paid. It’s basically an Apple version of Spotify, except Apple is much richer and probably able to pay a little more royalty money than Spotify. There is no new features whatsoever. There is no explanation about how it works or why it’s different. I’m tired of all the features that’s designed for “discovering music.” Seriously? Look at how people use Spotify! Once you have free on-demand music, you never go back. If Spotify crashes and burns some day, worst comes worst, Youtube is free. You really think that we are gonna use online radio THAT much? Pandora is already on its very last breathe. Radio in general only exists in cars, particularly when we are stuck in traffic, so maybe Apple is better off partnering its Beat 1 Radio with car manufacturers. We only use on-demand to listen to artists we already know. Even better, people are not going to paying more than $10/month for on-demand service, thanks to Spotify. And remind me, why should I switch from Spotify to Apple Music again? Oh, maybe if I had a family with three kids, who all happen to be iProduct users, that may saves me a little money…

When there is so much music going on, as a user, all I feel is that, I’m freaking lost. Not the feeling everyone advertises, as if I would have the entire world of music or something. It’s really like, how can I cut through all the noise to find the one song I want?

Welcome to the era of streaming. Side note, that sense of feeling lost and not belonging essentially sums up the modern life we are living in right now. We constantly find ourselves cutting through craps and searching for that ONE thing. It’s quite sad.

I know people are going to use Apple Music anyways. It’s a brand name, kind of like in the late 2000s when iPad first came around, people thought it was useless but still continue to buy and use it till this very day. I really hope this Apple Music thing is only an ugly version one, because it would be cool if some day, Apple can deliver what Trent says: accommodating and supporting the artists, including the kids who make music in their bedrooms.

 

Apple Music Film                                     http://www.apple.com/music/films/

BIGBANG & K-Pop

I’m not even gonna lie, at this moment, BIGBANG is K-Pop.

In case you’ve been living under a rock and don’t know who BIGBANG is, they are the most popular boy band in South Korea, and they have been for a good while. Fun fact, they are from YG Entertainment, the same company which PSY is coming from. Yup, you know who I’m talking about. That PSY.

I’ve been a fan of K-Pop since when I was a teenager, even though I diverged a little to Western music when I first came to America for high school. I mean, the Koreans have been always big in China, but I only have followed a selected few. I’ve known BIGBANG for a while, but I’ve only started to follow them for a bit over a year.

The reason why I write about BIGBANG right now is because they’re back after about 3 years of hiatus. They are releasing a full album soon. But just yesterday, they released two singles, and I listened to both of them today. The two songs are “Loser” and “Bae Bae.” Now, when I say they are the most popular boy band in South Korea, you may wonder, how popular? Last time I checked, the Youtube views of music videos on their channel are pretty impressive: one is about 4.2 million, another has even passed 5.9 million. They are #37 on US iTunes chart, right behind Taylor Swift’s “Style.” And let’s not forget that it’s been like what, one day. Hm, maybe it’s a good sign for people to stop overlooking Asian markets. Music wise, I think “Loser” is pretty much BIGBANG’s distinctive style, and it tells a very heartfelt story about feeling lost. The feeling of not belonging and not being understood is so personal yet universal.

That’s one thing I find BIGBANG different from hundreds of other Korean boy bands and girl bands out there. Yes, they are very much produced and packaged in a certain way, but somehow, their music manages to tell very real and heartfelt stories, sonically and lyrically. As much as I love K-Pop and my very own Asian culture, the common practice of putting artists in an unrealistically high place for people to worship, that they are called idols is just frustrating. They are human beings. We all know that. They have emotions, frustrations, troubles; their world isn’t glorious or perfect. They have feelings of love, lost, lust, guilt, anger, regret… just about everything everyone else has. I’m really grateful that someone like BIGBANG step down from “I’m up high in the cloud and all you can do is to look up to me” to a place that we can all relate to. And it isn’t even about singing heartbreaking songs that just crying “oh baby you are my one and only love and you leave me heartbroken.” It’s fine to sing about heartbreaks, but not all in the same way. No two heart break alike, right? More importantly, c’mon, we all get sick of the same story over time, especially when they sound made-up. Music is a form of communication. It’s about being real and tell the truth, because truth, and only truth can connect people with the art.

Ok, take it to my favorite, “Bae Bae.” Honestly, it’s such a weird song. Yes, the lyrics is about impressing a lover, a girlfriend, someone special. Musically, it’s so BIGBANG, yet so not… It sounds like they put pieces together from their solo work and somehow made it work (?) The music takes so many different turns, so much so that when I first finished the song, I was like “WTF? I gotta listen to it again!” It’s really hard to describe with words. But in all seriousness, if you’re a fan of BIGBANG, you gotta be kind of… weird. Because they are weird. Well, I guess that’s good because in the end, everyone is a little weird.

“Bae Bae” definitely doesn’t sound like any K-Pop song you’ll come across everyday. Even it’s so weird and random, some pieces of it are really coming out of nowhere, it does sound honest and fun, which is quite rare in K-Pop. I mean, Korean music industry is probably more developed than everyone thinks, and K-Pop songs are products of detailed planning and manufacturing. No offense, the common trend I find is that K-Pop artists seem to all adopt the same kind of boy band or girl band style. They not only look similar in terms of dressing styles, but also sound similar too! I swear, even after listening to K-Pop music for this long, I still mess bands up all the time. Another trend I notice is that K-Pop songs are either copying the hottest Billboard songs or each other, which I don’t know how far that will go in the long run. I quite understand K-Pop artists’ desire to break into Western markets, and some of them have tried over the years; but still, we’ve really only got PSY, who was not even intended to be that way. In my humble opinion, “Gangnam Style” doesn’t sound like any ordinary K-Pop song you come across or any Billboard song you would expect on the radio. PSY simply did what he liked. Maybe that says something?

Well, if you make it to here, I can tell you one thing for sure: after this, I feel so motivated to catch up on my Korean lessons.

 

BIGBANG – Loser                                       https://www.youtube.com/watch?v=1CTced9CMMk

BIGBANG – Bae Bae                                 https://www.youtube.com/watch?v=TKD03uPVD-Q

Eddie. Eddie. Eddie.

Eddie Beatz, aka Eddie Chen. Not my brother, in case you wonder.

You may not have heard of him, not yet. He’s one of the most talented independent musicians I’ve met. He’s young and energetic. His understanding of music is mind-blowing. He always thinks outside of the box. More importantly, he’s my friend, my homie.

I’m not exactly a fan of electronic music, especially when I’ve been listening to Taylor Swift all these years (haha!). But ever since I’ve heard Eddie’s music, it’s really hard to resist it. Eddie always has got this super fresh vibe and just the right amount of boom boom kicks to keep you grooving. The texture is so thick yet so fresh. The right timing of drops keeps your ears excited, and the layers of different sounds are planned in such a detailed way. When you hear it, you know everything happens for a reason. Then you want to listen again. It’s truly a work of art. Here’s a classic example.

“Eight Zero Eight”

 

If you think that’s all Eddie can do, you would be so wrong. Some of his songs are melodically dramatic and simply, romantic. Eddie loves blending the vintage stuff with futuristic sound, one of the most compelling reasons why I’m into his music. When the music goes on, you feel like you’re floating in the air. When you close your eyes and imagine, you almost can see yourself in a dream from the 1980s, swirling on the dance floor of 2050s.

“Pieces of Memory”

 

His personal favorite is this one called “Curing Method.” More experimental than most of his other stuff. It’s like a poetry which blends time together. Or rather, it’s time traveling with the sound of music. It’s quite magical.

Funny enough, he calls himself “Space Man,” and isn’t there a recent movie, in which time traveling is one of those things they do with the space women and men?

“Curing Method”

 

My personal favorite from Eddie’s SoundCloud page is this track named “All-night Spirits.” Maybe the translation isn’t exact for this one, because there is no corresponding English word to express the true meaning of Chinese Spirits. This one reminds me of home and childhood. It reminds me of the traditional Chinese house I used to live in when I was a child. The night, clear dark blue sky, moonlight falls down on the courtyard. Wind blows by, gently brushing through my hair. All I can see is the memory of a long gone era. All I can hear is this music playing in my head.

“All-night Spirits”

 

You’ll be doing yourself a favor by checking out Eddie’s music. People who know me know that I’m quite picky about music, but I can see him becoming great with this amazing talent. Eddie is very active on Douban, a Chinese user-based website. But he’s also on SoundCloud with a selected few tracks.

 

Eddie’s SoundCloud: https://soundcloud.com/eddie-beatz      Douban Site: http://site.douban.com/eddie/                                            Weibo (Chinese Twitter): http://weibo.com/eddiebeatz

Where Are We in 2015?

I was in London last week, reconnecting with some of my old colleagues and friends. This one conversation with a couple of friends inspired me to write this post.

It happened just around the time I was leaving London. We were in this group chat and talking about bad-mannered kids we encountered recently. One of my friends, let’s say her name was Rachel, talked about this story that happened around her neighborhood. She was going home one night around 11pm, and there’s this boy, alone, probably around 10 years old, came to her and asked her if she wanted some Skittles. She politely turned down and went on, but the boy chased her. She kept ignoring him and just went on her way. At one point, the boy probably got really angry. He ran towards her, took half of his pants off, put Skittles around his genital, and yelled the f word at her. She told us, “I wasn’t really scared because he was about 10, but I reckon he would rape me if he was 15 years old… I was like, where’s his mother?!”

It makes me sad and wonder, not only because I think it’s such a shame for a 10-year-old boy to do such disrespectful things to a stranger, but also because Rachel’s reaction of “where is his mother.” It is probably the first reaction for a woman in her situation to think that way, and I am not blaming her for that. But I can’t help but think if the father has to do anything with it; if we, as a society, are ignoring the importance of father’s participation in nurturing children, hence human development; and if society as a whole, until this day and age, still don’t understand the horrifying nature of making fun of human’s body parts, especially the ones that directed specifically to women.

I firmly believe that parents are the first teachers of their children, and whether one likes it or not, in general, women are still the ones that are mainly responsible of raising children in the families. In the case of a young boy in a family, once he reaches a certain age, he is aware of gender differences, and he probably does not want to be exactly like his mother because society tells us to be gender binary (the idea of women and men are opposites of each other, which is wrong in itself). If, for whatever reasons, his father is missing in his development, I can imagine, he probably wants to find masculine traits and learn to “be a man” from outside sources. In the era of Internet, when there are so much smoky information, he absorbs all sorts of stuff and lacks the ability to distinguish what is good or bad, right or wrong. In addition, because of the patriarchal society we live in, men are portrait as powerful, both mentally and biologically. Most times these images and messages can be exaggerated and even impossible to reach for average men, which is exactly why patriarchy hurts men as well. Hence, young boys and men may try to reach this ideal image of “man” in very extreme ways, not concerning of other people’s feelings, social norms, or even the law.

It is quite clear that, even in 2015, our society does not seem to understand how horrible and disrespectful sexual jokes and references are, and how the overwhelming majority of those jokes and references are directed towards women. In the rare case of the father involving in his young son’s development, if the father is not aware that making sexual references and jokes are very rude and disrespectful, and even better, if he thinks that his young son needs to learn “how to be a man” through such way, we really cannot expect the son turns out to be respectful of women, and that includes his mother. Most people, even some women, thinks that these jokes and references are supposed to be “funny,” and women are expected to laugh about it and shake it off. But no. I don’t see what’s so funny about making fun of a human’s body parts. It’s quite interesting and ironic to see how, at this point of human history, we are no longer ok with making fun of people’s skin colors, national and cultural identities, and even sexual orientations. In fact, we fight back and accuse people who do so. However, we live in a world where women’s bodies and biological natures are made fun of and objectified as a collective group on a daily, hourly, secondly basis. Just take a look around and pay attention. This phenomenon exists everywhere in our lives. It’s in our daily chit chats, music, advertisements, TV shows and movies, emails and office meetings, dinner-table conversations, everywhere. No one says a damn thing. No one even realizes how rude and offensive they are. Even more, if someone stands up and says, “Hey! That’s rude!” people look at this person as if she’s out of her mind. People ask why she doesn’t have a sense of humor and why she is angry. Well, is it funny to begin with?

I am not apologizing for writing a long essay about feminism in my music industry blog, since I think the music industry has a long way to go to be more respectful of women, both industry professionals and every woman out there. Because music is a powerful communication tool, it is possible to make progress through the art of music. All it takes is clear, critical minds, consciousness, and well-managed collective effort. I am happy to be part of this effort.